Sybil Andrews

(1898 - 1992)

Previously Sold Works

Item #AW2048
Straphangers 20/50

Sybil Andrews
lino-cut prints (11.25x14.25 inch) 1929

Item #AW2051
Winch 31/50

Sybil Andrews
lino-cut prints (7.5x10.5 inch) 1930

Item #AW4914
The Gale 42/50

Sybil Andrews
lino-cut prints (8x9.25 in) 1930

Item #AW1632
Timber Jim

Sybil Andrews
lino-cut prints (9x15 in) 1932

Item #AW2049
Windmill 45/60

Sybil Andrews
lino-cut prints (12.5x8.30 inch) 1933

Item #AW1633
Speedway

Sybil Andrews
lino-cut prints (12 7/8x9 1/8 in) 1934

Item #AW4371
Fall of the Leaf 26/60

Sybil Andrews
lino-cut prints (14 1/4x10 1/8 in) 1934

Item #AW5491
The Mowers 35/60

Sybil Andrews
lino-cut prints (11.5x13.75 in) 1937

Item #AW3846
Gypsies 33/60

Sybil Andrews
lino-cut prints (10 3/4x13 3/4 in) 1939

Item #AW3845
Jesus Falls the First Time - Station III 9/60

Sybil Andrews
lino-cut prints (12x11 1/2 in) 1962

Born in Suffolk in England, Andrews was trained in the modernist style at the Grosvenor School of Modern Art in London. She became part of a group of artists who worked in the lino-cut print medium and who embraced a modern expressionist style. The lino cut print was a new medium having first been used in 1912. This group of print makers, led by Claude Flight, were considered to be avant garde and experienced some antagonism from the traditional art establishment. Andrews favored subjects which were ordinary in and of themselves, portraying them in a dynamic expressionist style.

Andrews immigrated to Canada with her husband in 1947, settling in Campbell River. She continued to work steadily on her lino-cut prints while teaching weekly art classes. Recognition of her work came shortly after her arrival in 1948 with a one-person exhibition at the Vancouver Art Gallery.

The Glenbow Museum,Canada is a major centre for the study of her work with a collection of over 1000 examples of Andrews' works, including all of her famous colour linocuts and the original linoleum blocks, paintings in oil and watercolour, drawings, drypoint etchings, sketchbooks, and personal papers.

Her work is also represented in such prestigious public collections as the Victoria and Albert Museum in London, England; the National Gallery of New Zealand; and the Art Gallery of Ontario.